Thoughts on ageing, creativity and regret

It’s Easter Day and a wet gloomy day here in Manchester, and frankly I’m half-wishing I was having fun somewhere less rainy, instead of sitting in my room trying to write a one-page synopsis of my novel, which is not going according to plan. But holidays and weekends are my designated writing time, and so I intend to persevere.

Often I wonder where my compulsion to create art comes from, and why it grows stronger and more obsessive with age. I could argue it’s because I haven’t had children, but that seems simplistic – some of the most talented and driven creative people I know are also parents. I suspect in my case it’s a growing awareness of the passing of time and the desire to make the most of my one precious life.

I’m lucky to be in good physical health and I still feel young most of the time, but there are little indications that I’m not in my twenties or thirties any more: a cracked tooth that can’t be fixed, having to dye my hair more frequently,  struggling to hear over loud music. When I walk past the university, no one hands me the nightclub flyers any more.

Here’s a confession: when I was younger, I used to imagine that if I could just become a successful published author, it would solve my feelings of profound unworthiness and failure. At last I’d be worthy of respect, the equal of everyone else at the college reunion or the competitive dinner party, and I could finally lay down my burden of shame.

I realise now that it doesn’t work like that. Achievement and status don’t necessarily fulfil unmet emotional needs. And as I discovered, writing in order to seek validation leads to creative paralysis. The more we yearn for approval, the more it eludes us, as we stifle our authentic voice or are too afraid of judgement to share our work at all.

One of the top regrets of the dying is that they wished they’d had the courage to be themselves and spend less time worrying what people thought. Our culture encourages us to measure and compare ourselves right up to the day when it’s no longer a tooth but a vital organ that can’t be fixed, and only then we see the truth clearly: that we always were equal and we always were worthy of respect, regardless of how others chose to treat us.

I don’t want to be faced with those regrets. I want to be a successful author, but in order to express myself honestly and to create work for others to enjoy.  I’m also determined to travel on the road towards self-acceptance, however hard it gets, and even if I never fully arrive at my destination.

And if anyone knows how to write a one-page novel synopsis without wanting to tear your hair out in despair, do let me know.

Happy Easter to you all x

Author: Catherine North

Catherine is an author living in Manchester, UK. Her debut novel about love and mental health, The Beauty of Broken Things, is available on Amazon.

6 thoughts on “Thoughts on ageing, creativity and regret”

  1. Hi, never summarised a novel in a page but frequently done so with scripts. So absolutely none of this may apply… but on the other hand, on the off-chance that it might:
    – first sentence summarises, in a vivid way, the underlying issue behind it all. Eg ‘What happens to your life if your friends all turn against you?’ (= my script)
    – then a brief para on what actually happens
    – then most of it about the main character and what he/she takes from events
    The mistake most summaries make is to get into the the plot, which quickly gets boring. Staying with the impact on the main character keeps the interest.
    Again, this may not apply so chuck it out instantly if it doesn’t fit your work. But I’ve won script pitch contests, some for money, by using roughly this formula.
    Good luck –
    Mike

    Liked by 1 person

    1. Thanks so much Mike – that’s really useful adn I think it applies equally to novels too. You’re right that I was getting stuck in trying to explain the plot, but I’ll keep the focus on my main character and her development from now on. Thanks.

      Like

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