One of the most exciting aspects of being a self-published author is having control over the design, branding and marketing of your book. I’d been looking forward to the cover design for ages, but before I got started I spent some time browsing around Waterstones to get a feel for trends. I also read a lot of information about self-published book covers.
While there was disagreement over what made a good cover, one piece of advice was consistent: that the book should fit in with what is expected of its genre. This, I imagine, is why authors and publishers often fall out over covers, because the author is committed to their artistic vision of their story, while the publisher and bookseller want to position it visually in the marketplace so that the right readers are drawn to it.
My novel sits broadly within the contemporary women’s fiction genre, since it’s written in an accessible style with a central female character who is dealing with relationships and other relatable women’s issues. However, it’s also gritty in parts. My two middle-aged characters are facing unemployment, poverty and mental ill-health. It’s set in a charity shop in Manchester, so not the most obviously glamorous location. If my choice of fonts and images on the cover were to suggest a sexy romance or high heels and shopping, it would no doubt come as a massive disappointment to the reader who downloaded it to their Kindle to take on holiday.
I needed a design that would give a prospective buyer a reasonable indication of what kind of book it was, and that felt right for the tone and mood of the story. I also wanted it to be eye-catching and have artistic merit.
My initial idea was inspired by a friend’s comment on my title, The Beauty of Broken Things. She said it reminded her of Kintsugi, the Japanese art of repairing broken pottery with powdered gold or silver. As a philosophy, it treats breakage and repair as part of the history of an object, rather than something to disguise.
It suited the core message of my book, which is that people who have suffered adversity or struggled with their mental health can also possess amazing strength and beauty of character, not just in spite of their difficulties or imperfections, but as a result of them.
As I was searching through stock photo libraries for Kintsugi images, I came across other art forms that incorporated the concept of brokenness, including the mosaics designed by Antoni Gaudi at Parc Guell in Barcelona, which use the Trencadis technique of creating stunning new patterns out of waste pieces of ceramics. At once I was sure their rich intense colours would make for a striking book cover, as well as being thematically representative.
My husband came up with the idea of cutting out the spaces within the mosaic for the title text, and I immediately loved it. Once we’d sourced the perfect image he got started on the artwork. We also bought a license to use the font, because once I’d seen it I knew I wasn’t going to be happy with any other.
Although Tony isn’t a graphic designer by profession, he produces a variety of marketing materials for his own business and he is a natural artist, so I was confident he’d do a good job. His attention to detail was great, right down to using Photoshop to line the edges of the cut-out areas with the same cement that was used in the mosaic. I am delighted with the results, and hope my readers will be too.
Of course there can be pitfalls when embarking on a creative project with a partner or friend. Most self-publishing experts advise against using a non-professional to do your cover. All I can say is that in my case, it was the right choice for me. I found it easier to communicate what I wanted and to be assertive about what wasn’t working than I would have done with a stranger. Another benefit was that Tony had read the whole book, while cover designers typically rely on a synopsis or extract.
One of the many advantages of self-publishing is that a cover can easily be changed if it’s not working, or can be tested against a new version to measure performance. I’d be sorry to say goodbye to the mosaic though, as I love its colourful jumbled beauty. Hopefully I’ll visit Barcelona one day and see the real thing.
The Beauty of Broken Things will be published on 10th October 2018, which is World Mental Health Day.
Image: Sandra Veronica/Shutterstock.com
2 thoughts on “A cover story: developing the design for my book”
LOVE IT, Catherine – I got a lovely feeling when I was looking at it! Love the colours and the mosaic theme – just perfect, honestly! And it’s so useful when a husband or partner can help create what your vision demands. My hubby helped me with mine, and we both took pleasure in it. So looking forward to reading your novel!
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Thanks Lynne, I’m thrilled you like it, because I love your artwork and I know you have great taste! It was a lot of fun to work on the design and it was interesting how this one just felt right compared to other ideas we came up with.
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